Keinemusik Shop
http://keinemusik.com/shop/km036
Beatport
http://btprt.dj/2peHPuV
Traxsource
http://bit.ly/2ptGr8l
iTunes
http://apple.co/2pXT1tu
Quim Manuel - "Senhor Doutor“ is taken from the compilation "Angola Soundtrack 2 - Hypnosis, Distorsions & Other Sonic Innovations 1969-1978" courtesy of Analog Africa https://analogafrica.bandcamp.com/album/angola-soundtrack-2-hypnosis-distorsions-other-sonic-innovations-1969-1978)
A thing Adam Port has been rendering services to in the past and that this new Keinemusik-release as well is contributing to: sprucing up the image of the guitar. In the course of music history the instrument certainly has been propped up hip-wise as cock-extension and abused for sleazy rockisms a bit too often. Port’s rehabilitation of the six-string comes in shape of “Ganesha Song”, the A-side of KM036. You’ll find some twang, rhythmically boosting the dynamics, be it implemented as a micro-loop within the beat-structure or slightly distorted as the leading theme of this tune. Another felicitous attempt of Port to merge peaktime-appeal with sound-nerdism and his refining method of groove.
More guitars on the flipside, but this time embedded into a whole ensemble that transfers Mariachi-impression into the context of Angolan folklore. Port approaches the source material of Quim Manuel O Espirito Santo’s with all due respect, while crafting his edit, but also with an adequate verve and modernistic percussive décor to tease a veritable floorfiller out of “Senhor Doutor”.
Two very different approaches to get some feet on the floor, showcasing Adam Port’s never ceasing will for artistic diversification.
Out now!
http://keinemusik.com/shop/km036
Beatport
http://btprt.dj/2peHPuV
Traxsource
http://bit.ly/2ptGr8l
iTunes
http://apple.co/2pXT1tu
Quim Manuel - "Senhor Doutor“ is taken from the compilation "Angola Soundtrack 2 - Hypnosis, Distorsions & Other Sonic Innovations 1969-1978" courtesy of Analog Africa https://analogafrica.bandcamp.com/album/angola-soundtrack-2-hypnosis-distorsions-other-sonic-innovations-1969-1978)
A thing Adam Port has been rendering services to in the past and that this new Keinemusik-release as well is contributing to: sprucing up the image of the guitar. In the course of music history the instrument certainly has been propped up hip-wise as cock-extension and abused for sleazy rockisms a bit too often. Port’s rehabilitation of the six-string comes in shape of “Ganesha Song”, the A-side of KM036. You’ll find some twang, rhythmically boosting the dynamics, be it implemented as a micro-loop within the beat-structure or slightly distorted as the leading theme of this tune. Another felicitous attempt of Port to merge peaktime-appeal with sound-nerdism and his refining method of groove.
More guitars on the flipside, but this time embedded into a whole ensemble that transfers Mariachi-impression into the context of Angolan folklore. Port approaches the source material of Quim Manuel O Espirito Santo’s with all due respect, while crafting his edit, but also with an adequate verve and modernistic percussive décor to tease a veritable floorfiller out of “Senhor Doutor”.
Two very different approaches to get some feet on the floor, showcasing Adam Port’s never ceasing will for artistic diversification.
Out now!
- Category
- Afro House
- Tags
- Adam Port, Keinemusik, Berlin
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